So, 2021….or is it “2020 won?”

2021: Because apparently there was just too much 2020 to stuff into a single year.

It’s a year later than the last time I did this sort of post, and where are we? COVID is still a thing, albeit in something resembling an “evolved fashion.” Just like 2020 and despite the protestations of YouTube and TikTok mouth holes everywhere, I did what I’ve always done when it comes to health stuff: Trusted the advice of people who actually went to school to learn about this shit, and did what they suggested I do. Because that’s really all there was to it. It appears we may all well be turning a corner, even though many challenges remain (Did someone say, “Omicron?”). I guess we’ll have to see what the new year brings on multiple fronts. Here’s hoping.

On the home front, we’ve done our bit to keep on keeping on. Our daughters, now in 9th and 8th grades, were able to return to in-person learning at their respective schools. It occurs to me that these next few months mark the last time they will be on different school schedules, as they’ll both be at the same high school starting in the fall. How all of that time flew past remains a mystery. Our oldest daughter continues to pursue her interest in music. She’s playing or learning to play three different instruments: viola, piano, and guitar, and she plays the former for her school orchestra. She’s also got a thing for arts and crafts, namely painting and pottery, and she reads a lot. I mean a lot.

Meanwhile, our younger daughter continues to play volleyball, both for her school team as well as a private club out in town. She’s also into her own hobbies like puzzles and reading. Indeed, we got her a lavishly illustrated, leatherbound edition of The Princess Bride as a Christmas present. Oh, and a new laptop. Both girls continue to make the principal’s honor roll at school, so all is well on that front.

My wife is enjoying a bit of a well-earned work sabbatical. Taking advantage of this time, she’s picked up her own violin and resumed playing (she originally went to college on a music scholarship, you know) and is even attending lessons with our viola-playing daughter. She’s also taking guitar lessons. I get to listen to her and our daughter playing upstairs, which is kinda neat, I must say.

Then there’s me.

Work at home is a whole mood forever, now.

One personal item I haven’t mentioned – either at the time or since then – is that it’s coming up on a year since my father passed away. Outside of immediate family, it was news I shared only with a very small, very close circle of people (if you counted on one hand you’d have fingers left over). I didn’t have a lot to offer about it at the time and still don’t. To say that my relationship with him was “strained” — especially the last 15 years or so — is a pretty big understatement. His passing brought forth a lot of anger I’d been holding in for a long time, and while I think I’ve let most of it go I can’t deny there’s still a bit of it lurking around the fringes. I know there’s nothing to be done about it now, but I’m still working to a point where I can shove whatever’s left into a box and be done with it.

In happier news, 2021 saw me continuing in my role as a consultant to ViacomCBS Global Franchise Management, and that arrangement has been renewed for 2022. What does this mean? Basically, I consult on various projects such as novels, comics, games, and other initiatives that help expand “the Star Trek brand” beyond just TV and film. To that end, I read a lot of proposals, outlines, scripts, manuscripts, and whatever else they want me to review and comment on so far as making sure everything stays consistent with what’s been established on screen. This primarily means efforts based on the newer Star Trek series, and we’ve had a bunch of those made available for your viewing pleasure since 2017.

It should surprise no one that this train is definitely continuing to roll. New seasons of existing shows in development? Yep. New series on the drawing board? Ayup. Other things here and there? You just never know. There’s also no shortage of material tying into the classic/”legacy” series, and I get pulled into some of that action, too. So, yeah….they’re finding all sorts of ways to keep me busy, which is good because there are standing orders that I’m not to be left unsupervised for any great length of time.

On the writing front, most of the buzz around my 2021 output has circled around the Star Trek: Coda trilogy, the project on which I worked with friends and fellow wordsmiths James Swallow and David Mack. The culmination of two years’ worth of on-again/off-again brainstorming, plotting, planning, and writing is now out there in the wild, bringing down the curtain on 20 years’ worth of storytelling and interconnected continuity spanning dozens of tales across multiple Star Trek series. It was a tremendous undertaking unlike anything I’ve ever attempted since starting this odd writing journey of mine. How we carried it off is ultimately up to each individual reader to decide, but — at least according to some of the email I received — anyone who thinks we didn’t take the job seriously or (worse) we approached it callously, cynically, or disdainfully is simply mistaken.

Elsewhere in the Star Trek universe, I was privileged once again to join a very talented team of writers for the Shackleton Expanse Campaign Guide, a comprehensive sourcebook for the Star Trek Adventures roleplaying game.

Under the guidance of the game’s project manager, Jim Johnson, I got to work alongside friends and fellow writers Derek Tyler Attico, Kelli Fitzpatrick, and Scott Pearson as we put together a pretty fat portion of the book’s contents. This does not even include the material provided by other writers including Patrick Goodman, Rich Handley, John Kennedy, Ian Lemke, Fred Love, and Aaron Pollyea, to say nothing of the game designers, artists, and other creators Modiphius brought to the table. It is by far the most work for a single project on which I’ve worked for the game. I have no idea what the future holds for me and Star Trek Adventures, but I’ve learned to never say, “Never,” when it comes to this kind of thing.

Outside the Star Trek realm, Kevin and I got back together to write a few short stories. One of those, “Protocol 23,” was published in 2021 as just one of the tales comprising Thrilling Adventure Yarns 2021. Edited by Bob Greenberger and published by the band at Crazy 8 Press, it was a bit of a departures from the usual sorts of things Kevin and I write together. What can I say…we made ourselves laugh, and it’s always a treat to work with Bob for any reason. I don’t know if we’ll dip our toes into a pond quite like that again, but I think the premise we came up with for this story lends itself to additional tales. I guess we’ll see.

We wrote two other stories during 2021, both for anthologies which will be out sometime in the coming year. The first is for The Four ???? of the Apocalypse, edited by Keith R.A. DeCandido and Wrenn Sims through their small-press publishing house, Whysper Wude. A publication date hasn’t yet been set, but I’m sure Keith and Wrenn will let us know in due course.

The other story is another departure for us: a space western! It’s for a publisher with whom we haven’t previously worked, and for an editor who’s a friend but this is their first time inviting us to a project they’re shepherding. We had a lot of fun with it and it’s another concept we think lends itself to additional stories. Whether that happens depends on time, availability, and other factors, but we’re certainly keen to revisit the premise if the planets align.

Which brings us to 2022’s writing! Kevin and I are planning a pitch or two for anthologies we know will be opening to submissions in the near future. We’re also still yakking about things like revisiting the aforementioned space western setting as well as the Vogue Theater we created for our 2020 story “Helluloid” for the anthology It Came from the Multiplex from Hex Publishers. We’ll see how things shake out.

Elsewhere, the coming year will see publication of Jurassic World: The Official Cookbook from Insight Editions. This was another step outside my normal wheelhouse, but my editors at Insight were confident I could pull it off. I had a lot of fun with this one, especially working with food stylist Elena Craig, who created 50 recipes that evoke the fictional island of Isla Nublar and the cuisine of the equally fictitious Jurassic World resort and indeed the very real Costa Rica region where the island is supposedly located. That will be out in April.

Meanwhile, I’m toiling away on a new (as yet unannounced) project, with a due date in late February. I’m also considering what might be next after that and I have a few ideas I’d like to pursue. Of course, if someone comes knocking with another job offer, that’ll change my priorities, so I guess we’ll just have to see what we see.

I may even get to sleep a little this year.

Nah. Probably not.

Lay it on me.

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