Today is National Film Score Day!

Who knew?

Not me. At least, not until I read about it thanks to one of my Facebook friends. As odd days of observance go, this one isn’t too shabby at all.

What are we talking about? According to the National Day Calendar website, National Film Score Day “recognizes the musical masterpieces called “Film Scores” and, more specifically, the very talented composers who create them.”

Sweet!

Though it’s been a while since I’ve written on the subject, those of you who spend any time here likely know that I’m a huge fan of film and TV music and love listening to it apart from the production for which it was created. It’s also my habit to listen to such music when I’m writing, as it always helps to set the “right mood” for the project-in-progress.

A well-crafted film score is a thing of beauty. The first album I ever bought with my own money was the vinyl 2-record LP score for the original Star Wars in 1977.

Since then, my library has continued to grow not just with music from newer film television and productions but also “expanded” or “complete” editions of scores from days gone by which were only made available in truncated form due to the limitations of the medium (LP records, cassette tapes, 8-track tapes, and even CDs once they took over). Thanks to companies like La-La Land Records and Intrada I’ve been able to enjoy updated, expanded, and remastered versions of scores of older films, and in some cases it’s like hearing the music for the first time EVEN THOUGH I know every note by heart.

STTMP-SoundtrackCoverWhat are some of my favorites? Well, some obvious suspects are the various Star Trek films, in particular Jerry Goldsmith’s The Motion Picture, The Final Frontier, and First Contact, James Horner’s The Wrath of Khan and The Search for Spock, and Michael Giacchino’s music for all three of the reboot films. Everything John Williams has ever done for the Star Wars saga goes on the list, too, but I also must give props to Michael Giacchino for Rogue One and John Powell for Solo. 

Superman-ScoreJerry Goldsmith is well represented in my library, including personal favorites Planet of the Apes (1968), Rambo: First Blood, Part II (yes, really), Alien, Total Recall, L.A. Confidential, Outland, and 1999’s The Mummy. James Horner also had a lot going on beyond his Star Trek work, and I especially dig Aliens, Apollo 13, Sneakers, Glory, The RocketeerCommando, and Titanic (that’s right; I said it). And you can’t have a film score collection without stuff by John Williams, including stuff by John Williams that’s not Star Wars, which is good because I absolutely love the music he created for Jaws, the Indiana Jones films, Saving Private Ryan, Close Encounters of the Third Kind, and…of course…Superman.

My taste in film music runs the gamut from Pirates of the Caribbean to The American President, Die Hard, or The Incredibles, or from The Shawshank Redemption to Gladiator, The Martian, or Black Hawk Down. Bill Conti’s The Right Stuff is wondrous. Old-school offerings like The Great Escape, The Magnificent Seven or The Day the Earth Stood Still are in there, too. The truth is that I’m all over the map with this kind of thing. I hear it while watching the film and know I just have to have it without everybody yakking over it or everything blowing up around it.

TV’s the same way. Yes, Star Trek gets a lot of play around here (occupational hazard, you know), but what about Lost In Space or Mission: Impossible or Alien Nation? Battlestar Galactica? Hell, even seaQuest is in there.

I could do this all day, people.

So, Happy “National Film Score Day.” I think it’s time to stick a little of that action in my ears while I continue to write.

4 thoughts on “Today is National Film Score Day!

  1. Just to mention a couple things, my favorite TV music is still Barney Miller during the opening titles (fun how the guitar solo changes over the seasons), and Regie wanted me to say that she is digging the score from Rampage right now.

    Liked by 1 person

    1. I have several favorite TV main themes, but so far as additional music, I’m a fan of stuff like seaQuest, Alien Nation, Space: 1999, and of course the live-action Planet of the Apes series and The Six Million Dollar Man.

      Liked by 1 person

  2. Raise a full coffee cup to Film Score Day! I’ve actively collected film music since 1978 but have had to curtail my efforts since my hearing has significantly gone away in the last five years – not because of the music by the way. Currently, most music sounds like tuneless droning to me now. Ironically, that’s what everybody around me has ALWAYS said about my music! It’s gotten so bad that I was watching Star Trek on H&I (with captions, I might add) and realized that if I had just walked into a room cold and heard the music, I would not have been able to ID the music – classic TOS or Goldsmith on TNG! I’ve known the TOS theme since I was 6 years old. It’s been 50 years so I think I know the music now! Anyway, I’m sure all this whining is fascinating but to get back to the point – “Outland” has one of THE most effective musical scenes ever – the elevator ride with the guy who forgot his space suit!

    Liked by 1 person

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