It’d be easy to allow my last blog posting of 2017 to wallow in the same sort of snark and smartassery that I employed as a defense mechanism pretty much every day while reading the news this past year. Instead, I’m going to end things on a high note.
So far as personal milestones go, I turned 50 this year. Rather than dwell on the sorts of things that seem to characterize the typical “mid-life crisis,” I’d already made the decision well ahead of my birthday to embrace full-on my half-century mark. I’ve told people that I had much more fun during my 40s than I did my 30s, due in no small part to family and friends as well as the rather odd way that I’ve managed to carve out something resembling a living. I don’t expect that to change just because my odometer turned over. I don’t feel 50, people tell me I don’t look 50, and I sure as hell don’t act 50, so screw it.
Speaking of the family, Michi and the girls are all happy and healthy. Addy turned 11 while Erin turned 9. I know it sounds cliché, but of everything I’ve accomplished in life to this point, being a decent husband and dad are the things in which I take the most pride. I’ll probably always be a work in progress on both of those fronts, but I have plenty of reasons to keep at it. 🙂
So far as writing, it was a bit of an odd year. Remember all those things I talked about writing during 2016? Well, they all showed up during 2017:
Two Star Trek: The Next Generation novels – as well as my second “travel guide,” this time focusing on The Klingon Empire, dominated my Star Trek publications during the year, along with mine and Kevin’s first-ever comic collaboration from 2016 appearing in the Star Trek: Waypoint mini-series paperback collection. 2017 also brought with it my first professional forays into the realms of Planet of the Apes and Predator. Both of those were fun and scratched specific fanboy writing itches, and I’m hoping to revisit both universes, one of these days. Elsewhere on the planet of apes, I contributed my second essay to the gang at Sequart, for their collection Bright Eyes, Ape City: Examining the Planet of the Apes Mythos, edited by friends Rich Handley and Joseph Berenato.
Also, and after a lot of planning and waiting, I teamed up with colleagues David Lee Summers, Carol Hightshoe, Jennifer Brozek, and Bryan Thomas Schmidt and we worked with Kevin J. Anderson’s WordFire Press to publish Maximum Velocity: The Best of Full-Throttle Space Tales.
As for my writing during 2017, the project with the highest profile is probably Drastic Measures, my Star Trek: Discovery novel which was announced with a bit of fanfare at the big Star Trek convention in Las Vegas back in August. I actually knew as far back as the 2016 con that I’d be writing the book, but the secrecy ninjas from CBS have kept a tight lid on announcing such things until the appropriate time.
Going back even farther, I’d been talking at fairly regular intervals with my dear friend, Kirsten Beyer, who’s been in the Discovery writer’s room from the very beginning. I had a ringside seat as the show gestated and came together over a period of more than eighteen months, so yeah…I’m kind of biased. It was an interesting experience, trying to write a tie-in for a show that literally was being developed at the same time, and Kirsten played a big part in my being able to pull that off. Drastic Measures is due to be published on February 6th, 2018.
As for my other writing during 2017, I’m actually surprised at closing out the year without being able to announce or talk much about any of it because several of these things have not yet been formally announced by their respective publishers.
Two of those projects were completed and are scheduled to be published this coming summer. A project for another client was completed, but it’s looking increasingly as though it will never see the light of day. I was paid in full for my work, but the point of writing for publication is that your writing is…you know…published, so that people can experience it and (hopefully) enjoy it. At last report, there’s a slight glimmer of hope that the project will go forward, but the issues standing in its way are way above me and affect a number of people, and I feel more sorry for them than the fate of my little contribution.
Another tie-in project for which I signed a contract and have written an outline has been stalled somewhere between my client and the licensor, and I honestly have no idea when it might get the green light to move forward. I’ve been waiting months to hear some news, but my book is an admittedly very small fish in a very large pond. Such is the life of a freelancer. It’s still possible I might get some updates and be able to get writing, and maybe see this published either late in 2018 or early 2019.
What else do I have going? For those of you who may have missed it, back in November I accepted an offer to write full-time in an office setting. It’s both an interesting change of pace (and scenery!) and a nice counter to my fiction writing. My first month at the new gig has been educational and rewarding, as I’ve written two articles of my own and have three more in various stages of development, provided feedback on various pieces written by my teammates, and I’m currently editing an article submitted over the transom for our review. Over the next couple of weeks, I’ll be working with that piece’s authors to ready it for publication. So far, so good. 🙂
On the freelance front, I have contracts with two other clients that are now in an “active” status so far as my writing schedule. I have a manuscript due to one client on February 22nd, with a planned publication date in early 2019. I’m also due to start plotting with the other client after the holiday so we can see about getting on with that writing. A project for another client is still hanging in a low orbit, and I’m hoping to start working on an outline early in the new year.
One of the most frequent questions I get is whether I’ll be writing more Star Trek novels for Pocket Books. At present, I’m not under contract with them for anything beyond the upcoming Drastic Measures. Simon & Schuster is, at last report, finalizing their new licensing agreement CBS, and once that’s done I hope Pocket will see fit to contact me.
As I said last year and repeat as often as I can, I’m grateful to my clients who continue to employ me, my readers who continue to support me, and my family and friends who are in my corner even when I’m working often insane hours to meet a deadline. Kevin naturally gets his own shout-out because Kevin! I literally could not do what I get to do without all of you, and hey! If you’re an editor or publisher reading this, I’m still a freelancer, ever on the prowl for more work. 😀
Okay, 2018: Bring it on.