Happy 40th Birthday to The Six Million Dollar Man!

That’s right! Forty years ago today, television audiences got their first look at Steve Austin: a man barely alive, and got to watch as he was made better, stronger, and faster for the tidy sum of six million dollars.

Based on Martin Caidin’s 1972 novel Cyborg, the first of what would be three television “movies of the week” adapts the original book in rather broad fashion, giving us the story of Steve Austin, a test pilot tasked with flying a new experimental “lifting body” craft which at the time was a prototype for what eventually became the space shuttle. As in the book, Austin suffers horrific injuries when the aircraft crashes, including the loss of both legs, one arm and one eye.

Along comes the government, in the form of Oliver Spencer (substituting for Oscar Goldman in the novel), who proposes taking Austin’s mangled body and marrying it to a revolutionary form of prosthetics known as “bionics.” Once fitted with new cybernetic limbs, Austin will be far stronger and faster than any normal human, making him the ideal candidate for special missions in which his new abilities will be well-suited. Spencer’s cold, even callous outlook on the plan and its need for a human test subject (“Accidents happen all the time. We’ll just start with scrap.”) will be echoed years later in a film with a similar origin story for its central character, RoboCop.

After all the surgeries and the accompanying rehabilitation and physical and emotional therapy, Austin is sent to the Middle East on a top-secret mission (very much watered down from the assignment he’s given in the book), where his special nature helps see him through to the end. What’s next? Well, I guess we’ll see.

It’s worth noting that the Steve Austin we meet in Caidin’s novel really isn’t all that likeable a guy. To be honest? He’s kind of a dick, though you can understand and even sympathize with his attitude, given the situation into which he’s been thrust. For TV, Austin is definitely someone you want to root for, owing in large part to an understated performance from Lee Majors. Yes, Majors has always taken heat for appearing to lack a lot of acting range at this point in his career, but it actually works here, given the bizarre circumstances visited upon his character.

The original telefilm, The Six Million Dollar Man, was popular enough to warrant a pair of follow-ups–Wine, Women and War and The Solid-Gold Kidnapping–later in 1973, which of course begat the weekly televisions series that premiered in January 1974. This first movie doesn’t have many of the things people remember about The Six Million Dollar Man: No iconic opening credits sequence, no Oscar Goldman, no bionic sound effects, no bionic eye reticle, none of that awesome music by Oliver Nelson which would become such a vital part of the weekly episodes. Even the slow-motion running effect is used very sparingly here, and even then not in the same way which soon would come to personify the whole “bionic action” sight gag.

What? You said you want to see that opening credits bit? Well, BAM!

Following the original Cyborg novel, Caidin would pen three sequels, which would be published while the television series was in production. Several novelizations of TV episodes also would be published, and the authors of these books would–more often than not–model their characterizations of Steve Austin more on Caidin’s version than the show itself.

As for the television series, it would last five seasons, the last three alongside its spin-off, The Bionic Woman starring Lindsay Wagner. These were followed by three reunion movies, 1987’s Return of the Six Million Dollar Man and the Bionic Woman, 1989’s Bionic Showdown and 1994’s Bionic Ever After?

After not seeing the original series for many, many years, I had a chance to revisit it thanks to that massive DVD set from Time-Life. It’s been a total blast, as my daughters absolutely love the show, and I get frequent requests from them to watch favorite episodes (Bigfoots, Death Probes, Robots, oh my!).

Bionic Woman was a 2007 attempt to remake Lindsay Wagner’s series, though it lasted only one season. As I write this, Dynamite Entertainment has two monthly comic series, The Bionic Man and The Bionic Woman, which have re-interpreted the TV shows and their concepts, and there’s always on-again/off-again rumors of a big-budget cinematic remake of one or both of the series.

Whatever.

So, here’s to you Steve Austin: You’re the man! The Six Million Dollar Man!

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About Dayton Ward

Freelance word pusher. Husband. Dad. Trekkie. Rush fan (the band). Tampa Bay Bucs fan. Observer/derider of human behavior. I know where my towel is.
This entry was posted in feelin' nostalgic, nerdity, tributes, tv. Bookmark the permalink.

5 Responses to Happy 40th Birthday to The Six Million Dollar Man!

  1. I watched the pilot film not too long ago and was amazed by how lame the crash sequence was. They did a much better job in the eventual (and iconic) opening credits.

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    • Dayton Ward says:

      I had the same thought when I rewatched it for the first time in many years. It was all “Um, yeah, so, I’ve got a problem here. Hang on a minute…….” BOOM!

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      • Anonymous says:

        The thing is, the crash, down to the dialogue is authentic. I found it odd how they didn’t use music in the scene either.

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        • Dayton Ward says:

          It really was a rather surreal scene. You think they would’ve amped it up with crazy music, alarms, scenes of crash trucks heading out, that sort of thing. I think of scenes from The Right Stuff, etc.

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  2. Pingback: Happy 40th Anniversary, Colonel Steve Austin! | The Fog of Ward

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